Plastic Arts

All Items

• A proposed program for the development of creativity in the Arabic calligraphy course among visual arts students Islamic miniatures as a model

  Maha Mohammed Nassir, Bedoor Abdullah Mansour (Author)

  5-33

• Applications of Formal Theory in European Abstract Sculpture Sculptures of Henry Moore - A Model

  Khawla Ghadban Abaed (Author)

  219 - 240

• Conceptual art and its role in awareness campaigns

  Ali Adel Fouad, Bahaa Abdul Hussein Majeed (Author)

  37-44

• Conceptual transformation in reading contemporary European ceramics discourse

  Rana Dhahi Abdul Kareem (Author)

  25-41

• Constructivist Approach to Analysis of Sculptural Productions Horse Movement - Selectively

  Ali Abdullah Abood Alkinane (Author)

  5-16

• Contemporary philosophical works of the mind and the productivity of contemporary fine art

  Wissam Abdulkhader Faisal, Dr. Ali Sharif Jabr (Author)

  156-169

• Contemporary techniques of graphic art and its representations

  Rana Hazim Saeed (Author)

  43-52

• Controversy of meaning and deviation of centers in contemporary Iraqi painting

  Alaa Ali Ahmad, Muhannad Abdullah AlKhazali (Author)

  5-17

• Cultural symbols in wall paintings between Iraq and Italy comparative study

  Rana Hazim Saeed (Author)

  14-24

• Encoding format transformations in contemporary formation

  Muhanad Abdullah Jabbar, Fareed Khalid Alwan (Author)

  53-69

• Environmental uses of sculpture at the University of Basrah

  Ali Abdul Amir Banai, Mohsen Ali Hussein (Author)

  5-20

• Fashion Aesthetics in Contemporary Arab Sculpture

  Alaa Issa Karim, Dr. Ali Abdullah Abood (Author)

  136-142

• Formal indications in the trademark (Arab institutions as a model)

  Hashem Zeki Muhammad Ali, Qais Eesa Abdullah (Author)

  25-41

• Grotsk's Manifestations in Contemporary Global Formation

  Aseel Antessar Hashim (Author)

  241 - 266

• Islamic carpets in the depictions of Persian manuscripts Khamsat Nizami as a model

  Maida Tariq Mohammed (Author)

  201 - 217

• Manifestations of War in the Works of the Artist Muhammad Mahraldin

  Shaymaa hazim qabel (Author)

  97-106

• Media and its dominance in contemporary Iraqi painting

  Zain Al_Abideen Qais Hanoon, Yassin Wami Nasser (Author)

  103-115

• Movement and its implications in Akkadian sculpture

  Ali Hussain Al Derawy (Author)

  99-115

• Narrative aesthetics in Giorgione's paintings

  Faylaq Fathi Muhammad Ali, Alaa Abdul Hamid Mohammad (Author)

  5-19

• narrative functions in Renaissance paintings

  Hasan Talib Jenzy (Author)

  246-262

• Praxis (Gramsci) as a critical practice, and its representations in contemporary art

  Sami Qasim Alfartosi, Nasser Samari Jaafar (Author)

  5-14

• Representations of anti-racism in contemporary formation

  Manal Rayhan Salman, Ali Sherif Jabr (Author)

  115-122

• Representations of cultural criticism in the drawings of Iraqi Artists in the diaspora

  Azher Dakhil Mohssen (Author)

• Representations of the bourgeoisie in modern European painting

  Ali Sharif Jabr (Author)

  197-204

• Representations of the ruling icon in modern European painting

  Omar Ali Mustafa, Alaa Ali Ahmad (Author)

  101-113

• Sculptural proposals for the logos of the faculties of Iraqi Universities - an applied study

  Hajar Ali Majeed, Mohsin Ali Hussain (Author)

  111-118

• Technical aesthetic in the works of Alberto Buri

  Marwa Nizar Youssef, Monther Fadel Hassan (Author)

  85-99

• Technical Alienation in Contemporary Global Sculpture

  Khawla Ghadban Obaid (Author)

  71-84

• Technical innovation in the art of hyper-realism

  Miaad Mosa Hasan (Author)

  53-65

• Techniques applied to ancient pottery forms before notation

  Eaman Hikmat Mutashar, Ali Hussein Alwan (Author)

  43-58

• The aesthetics of sculptural and functional creativity in the art of carving Sumerian cylinder seals

  Farah Hussein Kazem (Author)

  67-79

• The aesthetics of technical diversity in the products of pop art

  Hamdia Kadhim Rodhan (Author)

  181 - 200

• The Aesthetics of Timurid and Safavid Miniatures A Comparative Study

  Maeda Tareq Mohammed (Author)

  52-60

• the applications of neutrality in contemporary Iraqi sculptural ceramics

  Rolla Abdulalah Aalwan (Author)

  81- 116

• The duality of presence and absence in the work of Basrah Artists

  Ban Mohammed Ali Almuthaffer (Author)

  133 - 153

• The effect of the illusioned image in representing the historical facts Iraqi painting as an example

  Qais Fadel Finjan, Dr.Nasser Samari Jaafar (Author)

  37-52

• The effect of the ocean environment on the formation of the sculptural monument In Basrah Governarate

  Shawqi Mustafa Almusawy, Talal AbdUlimam Mohammed (Author)

• The genealogy of religious discourse in modern art

  Hamdia Kadhim Rodhan, Qahtan Adnan Kamil (Author)

  149-178

• The impact of Mesopotamian myths on the drawings of Al-Wasiti

  Areej Saad Adnan Al - Hindawi (Author)

  19-25

• The impact technique in the works of Shaker Hassan Al Said and Alberto Buri comparative study

  Fadia aqeel jabar (Author)

  81-96

• The literal structure of sacred letters in contemporary Iraqi painting

  Hayder Salih Abdullah, Dr. Ban Mohammad Ali (Author)

  123-134

• The problem of media coverage of contemporary Arab formation

  Asaad Abdul Mohsen Ali Hussain, Dr. Bahaa Abdel Hussein Majeed (Author)

  97-108

• The relationship between the world of interior design and the world of linguistic discourse

  Amani Ali Alaali, Rafeeqa Abdullah Bin Rajab (Author)

  93-102

• The structural metaphorical abstraction in Adrian Arleo's sculptural ceramics

  Nisreen Samir Ghudir, Dr.Sabah ahmed hussin (Author)

  21-35

• The Structure of the Bloc in the Pottery of Ancient Iraq

  Ali Jarad Kadhim Al- Humairi (Author)

• The Technical Dimension of the Works of Artists Robert Rauschenberg and Jasper Johns A Comparative Study

  Nawras Hameed Majeed (Author)

  81-92

• The theory of reception and its applications in contemporary Iraqi sculptural ceramics

  Auras Jabbar Siheem, Ahmed Abd Minshed (Author)

  99-110