تَمثلات المُبتًذل في الصورة المرئية المُعاصرة

Abstract

Abstract:

 Western art has always depicted provocation and ugliness in its various manifestations, from the late Renaissance and the paintings of the Dutch artists Bosch, Bruegel the Elder, and others to Romanticism and the Spanish artist Francisco de Goya's legendary painting (Saturn Devouring His Children), to the paintings of the Impressionists, including the painting of the artist Edouard Manet (Lunch on the Grass), and the obscene works of writers that were prevalent in both Flaubert and Baudelaire, as well as the paintings of the artist Lautrec that depict women in public baths, to Pop Art that depicted vulgarity, seduction, and sex, such as the paintings of Warhol and Lichtenstein, and the comic books of girls and Richard Hamilton that depict nudity and the life of American consumer reality, to the images of the transgender performance show at the Olympic Games in Paris and the imitation of the painting of the artist Da Vinci (The Last Supper) in a provocative manner that sparked a wave of controversy and disapproval, reaching modernity through the applications of artificial intelligence represented in the production of the vulgar in the contemporary image. Keywords: representations, vulgarity, visual image, contemporaneity