Representations of anti-racism in contemporary formation

Authors

  • Manal Rayhan Salman College of Fine Arts, University Of Basrah
  • Ali Sherif Jabr College of Fine Arts, University Of Basrah

DOI:

https://doi.org/10.59767/2023.8/26.9

Keywords:

Representations, Racism, Formation, Contemporary, Art

Abstract

Racism is barbaric practices based on prejudice and intolerant behaviors and is based on the persecution and marginalization of individuals or groups for reasons such as differences in religion, color, race, language or culture. It consists of four chapters. The first chapter is devoted to the causes and problem of the research, represented by the following question: How was the anti-racism represented in contemporary formation? The research also aims to identify the representations of the object of anti-racism in the contemporary formation, while the objective boundaries represented in the artworks of artists that carried representations of racism were identified, and the temporal boundaries included the works of art completed in the period (1818-2020). As for the second chapter, which is represented by the theoretical framework and previous studies And it included three topics, where the first topic was devoted (a reading in the concept of racism and its rejection), and what came in the second topic is anti-racism in the history of contemporary formation, while the third chapter concerned the research procedures, and the researcher included the research community in the light of which the research sample was selected, as well In the research tool, the researcher relied on the results of the indicators in the theoretical framework, which is considered the basis of the analysis, in addition to the observation tool, which is one of the tools of the descriptive approach. The fourth chapter included the results, conclusions, recommendations, and proposals.

References

Aldaghlawy, H. J. (2013). human rights & directing treatments in the Iraqi theatrical performance. University of Basrah. doi:https://doi.org/10.5281/zenodo.7779863

Al-Farahidi, A.-K. A. (2003). Book of Al-Ain. Beirut: ar Al-Kutub Al-Ilmiya.

aljazeera.net

Al-Kayali, I. S. (1976). Zionist Racism. Tunisia.

Al-Razi, A. (1983). Mukhtar Al-Sahih. Kuwait: Dar Al-Resala.

Alsayid, M. A. (1986). Apartheid. Cairo.

Darwish, A.-S. I.-S. (n.d.). plastic art and human rights. Retrieved from https://Hrightsstudies.sis.gov.eg

Fayyad, M. (2009). What it means to be Lebanese. The Arab House for Science: The Arab House for Science.

Ghazi, H. (2002). Racism and Genocide in Zionist Thought and Practice. Damascus: Dar Al-Maarif for Printing and Publishing.

Hamroush, A. (2020). History of Modern Philosophy (Vol. 1). Beirut: Dar Al-Qalam for Printing, Publishing and Distribution.

Jenzy, H. T. (2020). Body Transformations in Drawings the Artist Muhammed Mehraddin. Al-Academy(95), pp. 143–160. doi:doi.org/10.35560/jcofarts95/143-160

Kareem, N. S., & Aldaghlawy, H. J. (2022). Pictures of death in the Iraqi theatrical performance. Basrah Arts Journal(22), pp. 187-206. doi:https://doi.org/10.59767/bfj.5300.1976

Manzoor, I. (2012). Lexicon of Lisan al-Arab (Vol. 4). Beirut: Dar Lisan al-Arab.

Qassem, A. M. (2021). Racism against Arabs in the Western World (Vol. 1). Dar Al-Akademiya for Publishing and Distribution.

Reda, A.-A. (2019). Arab Plastic Art and the Simeologia of Terrorism. a cultural and artistic magazine published by the Believers Without Borders Foundation for Studies and Research, 57.

Ross, J. (2019). Curriculum in Philosophy. (A. Aziz, Trans.) Beirut: Namaa Center for Research and Studies.

Downloads

Published

2023-08-30

How to Cite

Manal Rayhan Salman, & Ali Sherif Jabr. (2023). Representations of anti-racism in contemporary formation. Basrah Arts Journal, (26), 115–122. https://doi.org/10.59767/2023.8/26.9

Issue

Section

Articles

Categories