Controversy of meaning and deviation of centers in contemporary Iraqi painting

Authors

  • Alaa Ali Ahmad University of Basrah, College Of Fine Arts
  • Muhannad Abdullah AlKhazali University of Basrah, College Of Finearts

DOI:

https://doi.org/10.59767/bfj.5300.1980

Keywords:

argument, meaning, center, deviation

Abstract

The research dealt with the topic ( controversy of meaning and deviation of centers in contemporary Iraqi painting ) , which was concerned with the issue of meaning and its presence in modern artistic work in particular, represented by the phenomenon of deviation from centers, and included four chapters: the first of them concerned the methodological framework of research, and contained the research problem in which it was highlighted Light on (meaning in contemporary Iraqi painting), and the research problem was identified by answering the following question:
(Is there a clear controversy in the meaning through the deviations of the Iraqi painting from its centrality ؟ )
As for the second chapter, it included the theoretical framework, which contained three sections, the first included the concept of controversy in philosophical thought, while the second topic included the meaning between presence and centrality, while the third topic was concerned with the argument of meaning in contemporary Iraqi painting, while the third chapter was concerned with research procedures, The fourth chapter contains the results and conclusions, including:
1- The meaning in the concept of heterogeneity as an applied procedure in the structure of contemporary Iraqi formation is not complete unless it enters the composite sign system in the semiotic concept in a phenomenological manner as a mechanism that transcends the sensory perception to the transformed aesthetic perception in the construction of the image as a creative process resulting from the intentional awareness of the contemporary Iraqi painter, and this applies to All models .
2- Through the analysis of the sample (2, 3), it became clear that the art of contemporary Iraqi formation was influenced by the arts of modernity and post-modernity, not by the technical concept, but by the concept of a cognitive building based on a transformative basis for structural systems, and a conceptual intellectual to reveal the absent dispersed meaning .

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Published

2023-05-30

How to Cite

Alaa Ali Ahmad, & Muhannad Abdullah AlKhazali. (2023). Controversy of meaning and deviation of centers in contemporary Iraqi painting. Basrah Arts Journal, (25), 5–17. https://doi.org/10.59767/bfj.5300.1980

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