The theory of reception and its applications in contemporary Iraqi sculptural ceramics

Authors

  • Auras Jabbar Siheem College of Fine Arts, University Of Basrah
  • Ahmed Abd Minshed College of Fine Arts, University Of Basrah

DOI:

https://doi.org/10.59767/bfj.5300.1988

Keywords:

receiving, rovcelcim, ceramic, contemporary

Abstract

This research is concerned with studying the theory of reception, searching for the basic objectives inherent in the structure of the subject, as it has occupied a large area in the course of thought because the reception is nothing but a correction of a studied idea. Receiving is subject to certain laws that make it able to perform its actual job and reflect the capabilities of its owner to adapt his skills and invest them to build an artistic structure that explains to the recipient the task of dialogue through the ages. Accordingly, the current research dealt with a study (the theory of reception and its applications in contemporary Iraqi sculptural ceramics), the research problem through the following questions: Did the recipient as a differentiated cognitive structure have a specific role in the methodological and value variables in contemporary Iraqi pottery?
the results of the research, including The act of receiving is a (subjective-objective) verb based on a dialogue within a cognitive space that includes (the text with the recipient) to transcend any other statement and to be determined according to the context of the text and the cognitive system of the recipient only.
Then came the recommendations and suggestions, and then put forward a list of sources and references. The research also included a summary of the research in English.

References

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Published

2023-05-30

How to Cite

Auras Jabbar Siheem, & Ahmed Abd Minshed. (2023). The theory of reception and its applications in contemporary Iraqi sculptural ceramics. Basrah Arts Journal, (25), 99–110. https://doi.org/10.59767/bfj.5300.1988

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