The theory of reception and its applications in contemporary Iraqi sculptural ceramics
DOI:
https://doi.org/10.59767/bfj.5300.1988Keywords:
receiving, rovcelcim, ceramic, contemporaryAbstract
This research is concerned with studying the theory of reception, searching for the basic objectives inherent in the structure of the subject, as it has occupied a large area in the course of thought because the reception is nothing but a correction of a studied idea. Receiving is subject to certain laws that make it able to perform its actual job and reflect the capabilities of its owner to adapt his skills and invest them to build an artistic structure that explains to the recipient the task of dialogue through the ages. Accordingly, the current research dealt with a study (the theory of reception and its applications in contemporary Iraqi sculptural ceramics), the research problem through the following questions: Did the recipient as a differentiated cognitive structure have a specific role in the methodological and value variables in contemporary Iraqi pottery?
the results of the research, including The act of receiving is a (subjective-objective) verb based on a dialogue within a cognitive space that includes (the text with the recipient) to transcend any other statement and to be determined according to the context of the text and the cognitive system of the recipient only.
Then came the recommendations and suggestions, and then put forward a list of sources and references. The research also included a summary of the research in English.
References
Attia, M. (2001). The Artist and the Audience. Baghdad: Dar Al-Fikr Al-Arabi.
Al-Ansari, H. (2005). Scientific Criteria for Hadith Criticism. Bairute: Dar Alandi.
Al-Azhari, A. (2004). Language. Beirut: Dar Al-Kutub Al-Ilmiyyah.
Al-Hussein, I. (2009). Education on Art,Excavations in the Mechanisms of Plastic and Aesthetic Reception. Casablanca: World of Education Publications.
Bradbury, M., & MacFarlane, J. (1987). Modernity. (M. H. Fawzi, Trans.) Baghdad: Dar Al-Ma’mun.
Hilali. (2016). Reception Lecture in Fine Art.
Holb, R. (1990). Reception Theory Critical Introduction. (E. E.-D. Ismail, Trans.) Jeddah: The Cultural Club Book.
Ibrahim, A. (2000). Reception and Cultural Contexts. Amman: United New Book House Oya House for Publishing and Distribution.
Jenzy, H. T. (2020, 3 13). Body Transformations in Drawings the Artist Muhammed Mehraddin. Al-Academy, 95, 147. doi:DOI: https://doi.org/10.35560/jcofarts95/143-160
Jenzy, H. T. (2022). narrative functions in Renaissance paintings. Basrah Arts Journal(22). doi:https://doi.org/10.59767/bfj.5300.1977
Khader, N. (1997). The Cognitive Fundamentals of Reception Theory. Baghdad: Dar Al-Shorouk.
linguists, A. g. (1989). The Basic Arabic Dictionary. bairute: Mishkat Islamic Library.
Massalti, M.-B. (2009). Lectures on Reading and Reception Theory.
Muhammad ibn Manzoor, J.-D.-F. (2005). Lisan al-Arab. (A. Ahmad, Trans.) Beirut: Dar al-Kutub al-Ilmiyyah.
Musa, B. (1999). Theory of Reception,. Baghdad: General Cultural Affairs House.
Rizk, N.-H. (2017). plastic art and communication theory. Tlemcen .
Yehia, M. (1991). Artistic Appreciation and Cinema. Baghdad: Dar Gharib for Printing.
Downloads
Published
How to Cite
License
Copyright (c) 2023 Auras Jabbar Siheem, Ahmed Abd Minshed
This work is licensed under a Creative Commons Attribution 4.0 International License.