Plastic Arts

All Items

• A proposed program for the development of creativity in the Arabic calligraphy course among visual arts students Islamic miniatures as a model

  Maha Mohammed Nassir, Bedoor Abdullah Mansour (Author)

  5-33

• Applications of Formal Theory in European Abstract Sculpture Sculptures of Henry Moore - A Model

  Khawla Ghadban Abaed (Author)

  219 - 240

• Conceptual art and its role in awareness campaigns

  Ali Adel Fouad, Bahaa Abdul Hussein Majeed (Author)

  37-44

• Conceptual transformation in reading contemporary European ceramics discourse

  Rana Dhahi Abdul Kareem (Author)

  25-41

• Constructivist Approach to Analysis of Sculptural Productions Horse Movement - Selectively

  Ali Abdullah Abood Alkinane (Author)

  5-16

• Contemporary philosophical works of the mind and the productivity of contemporary fine art

  Wissam Abdulkhader Faisal, Dr. Ali Sharif Jabr (Author)

  156-169

• Contemporary techniques of graphic art and its representations

  Rana Hazim Saeed (Author)

  43-52

• Controversy of meaning and deviation of centers in contemporary Iraqi painting

  Alaa Ali Ahmad, Muhannad Abdullah AlKhazali (Author)

  5-17

• Cultural symbols in wall paintings between Iraq and Italy comparative study

  Rana Hazim Saeed (Author)

  14-24

• Encoding format transformations in contemporary formation

  Muhanad Abdullah Jabbar, Fareed Khalid Alwan (Author)

  53-69

• Environmental uses of sculpture at the University of Basrah

  Ali Abdul Amir Banai, Mohsen Ali Hussein (Author)

  5-20

• Fashion Aesthetics in Contemporary Arab Sculpture

  Alaa Issa Karim, Dr. Ali Abdullah Abood (Author)

  136-142

• Formal indications in the trademark (Arab institutions as a model)

  Hashem Zeki Muhammad Ali, Qais Eesa Abdullah (Author)

  25-41

• Grotsk's Manifestations in Contemporary Global Formation

  Aseel Antessar Hashim (Author)

  241 - 266

• Islamic carpets in the depictions of Persian manuscripts Khamsat Nizami as a model

  Maida Tariq Mohammed (Author)

  201 - 217

• Manifestations of War in the Works of the Artist Muhammad Mahraldin

  Shaymaa hazim qabel (Author)

  97-106

• Media and its dominance in contemporary Iraqi painting

  Zain Al_Abideen Qais Hanoon, Yassin Wami Nasser (Author)

  103-115

• Movement and its implications in Akkadian sculpture

  Ali Hussain Al Derawy (Author)

  99-115

• Mythological influence on ancient pottery formations of models (the mother goddess producing offspring)

  Alia Mohsen Abboud (Author)

• Narrative aesthetics in Giorgione's paintings

  Faylaq Fathi Muhammad Ali, Alaa Abdul Hamid Mohammad (Author)

  5-19

• narrative functions in Renaissance paintings

  Hasan Talib Jenzy (Author)

  246-262

• Praxis (Gramsci) as a critical practice, and its representations in contemporary art

  Sami Qasim Alfartosi, Nasser Samari Jaafar (Author)

  5-14

• Representations of anti-racism in contemporary formation

  Manal Rayhan Salman, Ali Sherif Jabr (Author)

  115-122

• Representations of black humor in the drawings of the American artist Mark Barian and the Polish artist Pawel Kosinski (a comparative study) An Extracted Research

  داود سلمان (Author)

• Representations of cultural criticism in the drawings of Iraqi Artists in the diaspora

  Azher Dakhil Mohssen (Author)

• Representations of the bourgeoisie in modern European painting

  Ali Sharif Jabr (Author)

  197-204

• Representations of the ruling icon in modern European painting

  Omar Ali Mustafa, Alaa Ali Ahmad (Author)

  101-113

• Sculptural proposals for the logos of the faculties of Iraqi Universities - an applied study

  Hajar Ali Majeed, Mohsin Ali Hussain (Author)

  111-118

• Self-isolation is depicted in the works of artist Latif Al-Samhan

  Raafat Riyad AbdulWahed (Author)

• Semiotic Discourse in Contemporary Iraqi plastic Art

  Sirwan Rafat Ahmed (Author)

• Technical aesthetic in the works of Alberto Buri

  Marwa Nizar Youssef, Monther Fadel Hassan (Author)

  85-99

• Technical Alienation in Contemporary Global Sculpture

  Khawla Ghadban Obaid (Author)

  71-84

• Technical innovation in the art of hyper-realism

  Miaad Mosa Hasan (Author)

  53-65

• Techniques applied to ancient pottery forms before notation

  Eaman Hikmat Mutashar, Ali Hussein Alwan (Author)

  43-58

• The aesthetics of sculptural and functional creativity in the art of carving Sumerian cylinder seals

  Farah Hussein Kazem (Author)

  67-79

• The aesthetics of technical diversity in the products of pop art

  Hamdia Kadhim Rodhan (Author)

  181 - 200

• The Aesthetics of Timurid and Safavid Miniatures A Comparative Study

  Maeda Tareq Mohammed (Author)

  52-60

• the applications of neutrality in contemporary Iraqi sculptural ceramics

  Rolla Abdulalah Aalwan (Author)

  81- 116

• The Authority of Conspiralogy in Contemporary Art

  Zain Al_Abideen Qais Hanoon (Author)

• The duality of presence and absence in the work of Basrah Artists

  Ban Mohammed Ali Almuthaffer (Author)

  133 - 153

• The effect of the illusioned image in representing the historical facts Iraqi painting as an example

  Qais Fadel Finjan, Dr.Nasser Samari Jaafar (Author)

  37-52

• The effect of the ocean environment on the formation of the sculptural monument In Basrah Governarate

  Shawqi Mustafa Almusawy, Talal AbdUlimam Mohammed (Author)

• The genealogy of religious discourse in modern art

  Hamdia Kadhim Rodhan, Qahtan Adnan Kamil (Author)

  149-178

• The impact of Mesopotamian myths on the drawings of Al-Wasiti

  Areej Saad Adnan Al - Hindawi (Author)

  19-25

• The impact technique in the works of Shaker Hassan Al Said and Alberto Buri comparative study

  Fadia aqeel jabar (Author)

  81-96

• The literal structure of sacred letters in contemporary Iraqi painting

  Hayder Salih Abdullah, Dr. Ban Mohammad Ali (Author)

  123-134

• The Mechanisms of Deconstructive practices in Abstract Expressionist Paintigs

  شذى سامي حمدان (Author)

• The militarization of the alhashd alshaebi and its representations in contemporary Iraqi art

  سارة تقي (Author)

• The problem of media coverage of contemporary Arab formation

  Asaad Abdul Mohsen Ali Hussain, Dr. Bahaa Abdel Hussein Majeed (Author)

  97-108

• The relationship between the world of interior design and the world of linguistic discourse

  Amani Ali Alaali, Rafeeqa Abdullah Bin Rajab (Author)

  93-102

• The structural metaphorical abstraction in Adrian Arleo's sculptural ceramics

  Nisreen Samir Ghudir, Dr.Sabah ahmed hussin (Author)

  21-35

• The Structure of the Bloc in the Pottery of Ancient Iraq

  Ali Jarad Kadhim Al- Humairi (Author)

• The Technical Dimension of the Works of Artists Robert Rauschenberg and Jasper Johns A Comparative Study

  Nawras Hameed Majeed (Author)

  81-92

• The theory of reception and its applications in contemporary Iraqi sculptural ceramics

  Auras Jabbar Siheem, Ahmed Abd Minshed (Author)

  99-110

• The transformation of branding in logo designs (University of Basra as a model)

  Hashem Zeki Muhammad Ali Al-Salman (Author)

• Treamlined design and Factors Affecting its Formation In Contemporary Interior Space

  وجدان حسين ابراهيم (Author)

• أكسيولوجيا الجمع بين الزمان والمكان في رسوم المنمنمات الإسلامية

  shatha Alasqha (Author)

• تمثلات مدرسة بغداد للفن الحديث في رسوم ستار لقمان وحسن عبد علوان

  ahmed hussen (Author)

• تَمثلات المُبتًذل في الصورة المرئية المُعاصرة

  Nasser abd (Author)

• مقاربات مفهوم الجمال في قول السيدة زينب (ع) (ما رأيت الا جميل) دراسة تجريبية مقاربات مفهوم الجمال في قول السيدة زينب (ع) (ما رأيت الا جميل) دراسة تجريبية

  ali alasady (Author)