the applications of neutrality in contemporary Iraqi sculptural ceramics

Abstract

The problematic of the current research revolves around studying the applications of neutrality in contemporary Iraqi sculptural ceramics, and it includes four chapters as follows:

The first of them in the general framework of the research contained the research problem in which the contemporary sculptural ceramics were shed light and the research problem was determined by answering the following question: Are there applications of imitation in contemporary Iraqi sculptural ceramics? As for the second chapter, which is the theoretical framework for the research, it includes three topics: The first topic - the concept of immanence. The second topic was - applications of immanence in plastic art. While the third topic came - contemporary Iraqi ceramic sculpture (entrance). Then, in its theoretical framework, the second chapter resulted in a set of indicators that the researcher benefited from in guiding her analysis of the research sample. While the third chapter includes the research procedures, which are the method used and the research community in addition to the research sample and the tool used in the analysis. Then the analysis of the samples was followed by the results and conclusions, the most important of which were:

.1The immanent analysis constitutes a pattern of logical reading regardless of the variety and difference of the visual texts, because this type of immanent analysis examines the internal conditions controlling the formation of the meaning of the text and its intention far from what is external.

.2The immanence depends in its work in two parts, the first of which is an activity that refers to everything that is statically present in an object (static vision), and the second of them refers to what comes from a being expressing its original nature (dynamic vision). As normal as for sample (2).