The retorsion event the assumptions of visual simulation in contemporary art

Abstract

This research is concerned with studying (the heart of the event and the assumptions of visual artificiality in contemporary art), which is based on the concepts of continental philosophy, and the relationship of this philosophy to art, through the concept of artificiality and its relationship to contemporary art. And its impact on the image that has undergone the practices of the heart of the visual event through the artistic achievement, where the assumptions of artificiality have transcended traditional formulas to establish another, different form of visual production that is an open form that does not rely on traditional institutions in artistic production. Accordingly, the research structure was established within four chapters. The first chapter (the general framework) contained the research problem, which the researcher summarized by asking: (How do the assumptions of artificiality that characterize reality contribute to the process of reversing the visual event? And how does the copy image dominate in the assumption of hyperreality? The aim of the research is (to identify and reveal the implementation of assumptions of artificiality in the process of reversing the visual event within the contemporary formation system). The second chapter (the theoretical framework) consists of three topics: The first topic (representations of reversing the induction from concept to formation), the second topic dealt with (artificiality from philosophical formation to hyperreality), and the third topic dealt with (contemporary formation as a philosophical representation of the event). The third chapter (research procedures) included defining the research community, and three artistic works were selected. The fourth chapter contained the results and conclusions. The most important results are: Contemporary formation is based on evoking the visual event, through artistic and performance display techniques that represent assumptions of artificiality and depend on performance, practice, repetition, and variation in achieving The image, which seeks to capture the heart of the visual event.