Thaeter

All Items

• A proposed system for using augmented reality technology in actor training

  Hayder Jaafar Aldaghlawy (Author)

  133-142

• Breaking the taboo in the divinities of Ali Abd al-Nabi al-Zaidi

  Salah Naima Abdulaaly (Author)

  117-133

• Ceremonial preoccupations in the performances of the Iraqi playwright

  Mona Hassan Karim, Nasser Hashem Badan (Author)

  59-69

• Contemporary fashion and its impact on the shape of the sleeves in the traditional Moroccan caftan

  Ali Najim AbdulAllah Al Zubeidi (Author)

  71-84

• Contrasting discourse in the colonial perspective and its effectiveness In the Iraqi Dramatic performance

  Hasnain Abdul Wahab Abdul Zahra (Author)

  155 - 179

• Curricula and their effectiveness in understanding comedy for directing students of the college of Fine Arts, University of Basrah comedy performances as an example

  Nour Sabah Abdul Muttalib, Hala Hassan Sabti (Author)

  35-42

• Employing popular heritage in the Iraqi theatrical actor’s performance of the play The Thread and the Bird” as an example

  Waad Abdul Amir Khalaf (Author)

  117-134

• Environmental impact in puppet and puppet theater performances a day at school as a model

  Kholod Jabbar Aabaid (Author)

  117 - 132

• Features of the acting performance of the war correspondent

  Jumana Raheem Ali, Ahmed Taha Hajo (Author)

  135-148

• Formal mechanisms and their work in the surrealist theatrical text the play (Nahda Theresias) as a model

  Inas Adil Omar (Author)

  77-87

• Images of torment in Iraqi theater publications the play “Martyrs Do Not Enter Paradise As model

  Adnan Hussain Ali (Author)

  143-155

• Iraqi Children's Theatre and its Role in Community Development The play The Coast and the Lamp as a Model

  Assaad Abdulrida Hussain (Author)

• Juvenileplays by the poet Abdul Sattar Al-Qargoli

  Adeeb Alwan Alitabi (Author)

• Pictures of death in the Iraqi theatrical performance

  Nazar Shibib Kareem, Hayder Jaafar Aldaghlawy (Author)

  187-206

• Relativity theory and its representations in the Iraqi theatrical show

  Musaab Ibrahim Mohammed, Omar Muhammad Jindari (Author)

• Representations of Experimentation in Contemporary Arabic Theatre The Case of Sayyed Hafez

  Abdulsattar AbdThabet (Author)

  61-74

• Representations of Marionette Discourse in the Performance of the Contemporary Theater Actor GORDON GRAIG as Model

  Wissam Khidher Musa (Author)

• Social rejection in the language of Iraqi theatrical performance Curfew play as a model

  Sarmad Yasin Mahmoood (Author)

  59-97

• Symbol and symbolization in Badr Shaker Al-Sayyab's epic poems poems of the rain

  Hassan Abdulmanaam Alkhaqany (Author)

  43-58

• Techniques of acting performance of the character of the storyteller in the Iraqi theatrical performance Sami Kaftan as a model

  Mudhafer Kadhem Mohammed Altaibe (Author)

• The aesthetic approach to the cohabitation of meaning between cinematic depth of field and theatrical presentation Phenomenological study

  Bahaa Abdul Mohsin Hasan, Dr. Maher Abdul Jabbar Ibrahim, Dr. Maher Majid Ibrahim (Author)

  109-121

• The aesthetics of the actor's performance in Anas Abdel Samad's theatrical performances

  Ibrahim Salim Mohammed (Author)

  65-80

• The characteristics of the hero character in stage Performances educational

  Anwer Mohammed Zaki Younis (Author)

  47-63

• The directorial vision of the Iraqi theatre shows is intertwined between style and harmony

  Fathi Shaddad Khudhair, Dr.Qays Oudah Qasim (Author)

  107-116

• The effectiveness of connotation to produce spatial transformation in the Iraqi theatrical performance

  Lina Ismail Khalil, Asaad Abdul Redha Hussein (Author)

  67-79

• The Harmony in the Text of the Brutal Wedding Play by Falah Shaker

  Talib Hashim Badan (Author)

• The implicit in the theatrical texts of Ali Abdul Nabi AL Zaidi (systematic study)

  Sabbar Shabbot Talla (Author)

  45-57

• The problems of the Symbol in performance of the Iraqi theater Actor

  Hala Hassan Sabty, Rana Faleh Lafta (Author)

  5-25

• The psychological and social undermining of the personality in the texts of the world stage The gorilla as a model

  Salah Hamadi Jazaa, Hussan Abod Ali (Author)

  53-66

• The Rhythm of the persona in the poetic Theatrical Text Ibn Alali Play - Selectively

  Zaid Tariq Fadhil Alsanjary, Isra Abdul Munaaem Fadhil Alrashidy (Author)

  17-46

• The ritual artistic presence of the Marionette actor in the performance of the play (Tokoos alhatab)

  Wissam khider musa, Dr. Nashat Mubarak Sliwa (Author)

  25-39

• Violence in Iraqi Theatrical Performance Silk play - a model

  Layla Mohammed (Author)

  89-98