The problems of the Symbol in performance of the Iraqi theater Actor

Abstract

The symbol was present in most contemporary theatrical performances, especially in the actor’s performance, crystallized through the kinetic image reflected in him, as it is a means of reviving the theatrical performance and referring it from a static entity to another actor and interacting with the audience. Accordingly, this research came in four chapters, the first of which is the methodological framework that crystallized  In it the problem of research in searching for the problems of the symbol in the performance of the actor, its importance, the goal of the research and its limits, which were represented in the theatrical performance marked The Mourning of the Three Nights, which was presented on the hall of the central theater in the Faculty of Fine Arts in 2005 and then the most important terms (symbolism and performance of the actor).  He came up with two studies, the first symbolic in the theater and the second the symbolic performance of the actor in the world stage, to end with the most important indicators reached by the research and procedures. In the third chapter, the three nights mourning play is analyzed to end the research with the most important sources and references specified in Chapter Four