Social rejection in the language of Iraqi theatrical performance

Curfew play as a model

Abstract

Social rejection is an influential phenomenon in the language of the theatrical presentation of its active thesis on the environment and content of the presentation. It is linked to the study of correction of societies and positive change aimed at reflecting artistic and practical value in the structure of the formation of societies within an outreach language capable of finding and applying rejection socially. The theatre remains a large gateway open in its texts, performances and techniques that absorb reality and restore the production and storage of its benefits in the direction of change and construction, so the problem of research was how social rejection was and how the language of the show was adhered to and the benefit and objectives of this exchange "The foundation of the discussion of this problem was to go through the concepts that are consistent with this subject and the consequent understanding and passing of the global experiences in text and offer to know and collect the forces of research and focus to arrive at indicators that help and contribute to the analysis of the text, its visions, its medications, its meaningful divides and the manifestations of its idea, To draw our results and what we need a mechanism of conclusions we derive and learn our analytical concepts, the researcher singled out three SIs that were a compass indicating to us the cognitive direction that we should choose to dismantle the text structure in the presentation we analyze.