The psychological and social undermining of the personality in the texts of the world stage

The gorilla as a model

Authors

  • Salah Hamadi Jazaa College of Fine Arts, University of Basrah
  • Hussan Abod Ali College of Fine Arts, University Of Basrah

DOI:

https://doi.org/10.59767/2023.11/27.4

Keywords:

Undermining, psychosocial, personality, Theater

Abstract

The subject of undermining depended on many intellectual and philosophical systems, and it penetrated into most aspects of human life, such as political, social, cultural and artistic, to indicate the inconsistency of the human world, the disintegration of its parts, and the collapse of values. This concept refers to the human personality in its real and hypothetical capacity, as it was the plaything in the hands of these practices in order to pass its ideas, so the personality sometimes ascended the top of the pyramid and at other times descended towards the abyss, after it was lowered to the rank of an animal, and for the necessity of this topic, the researcher decided to formulate the title of his research, including A study of (psychological and social undermining of the personality in the texts of the high theater), because the global theater presented many models that were a witness to most of these practices that were applied against the personality throughout the ages, and the manifestations of demolition, distortion, loss and destruction that followed.

References

Abbas, F. (2004). The Contemporary Man in Freudian Psychoanalysis. Beirut: The Lebanese House of Manhal.

Al-Ashmawy, M. Z. (2009). Theatre: Its Origins and Contemporary Attitudes. Riyadh: Abdul Aziz Al-Batin Prize Foundation for Poetic Creativity.

al-Dawai, A.-R. (no). Human Death in Contemporary Philosophical Discourse.

Al-Haj Salih, R. (2013). Sharjah: Department of Culture and Information.

Ali Khurasan, B. (2006). Postmodernity, A Study in the Western Cultural Project. Damascus: Dar Al-Fikr.

Awad, N. G. (2017). 12- See: , previous source, p. 78.

Bradyri ,McGarlin, M. (1987). Modernity. (M. H. Fawzi, Trans.) Baghdad, Dar Al-Mamoon for Translation and Publishing.

C. Hall, K. (1988). Principles of Freudian Psychology. (D. Al-Kayyal, Trans.) Baghdad: Dar Al-Mutanabi Library.

Davies, T. (2018). Humanism. (A. A. Sharif, Trans.) Cairo: National Center for Translation.

Eslen, M. (2009). The Drama of the Unreasonable. (S. A. Hattab, Trans.) Kuwait, The National Council for Culture, Arts and Letters.

Hamdan, I. (2005). Philosophy of Civilization for Herbert Marcuse. Damascus: Publications of the Ministry of Culture.

Harb, A. (2012). The Game of Meaning: Fosoul fi Criticism of Man.

Jaafar, a.-w. (2013). Structuralism between Science and Philosophy in Michel Foucault. Alexandria: Dar Al-Wafaa for the World of Printing and Publishing.

Mohibel, O. (2008). The Problem of Communication in Contemporary Western Philosophy. Algeria: Al-Ikhtif Publications.

Muhammad, H. N. (2015). The problematic of philosophy from archaeological criticism to conceptual creativity: a reading in the philosophies of Foucault and Gilles Deleuze. Algeria: Ibn al-Nadim for publication and distribution.

Sabri, J. (2021). The Strategy of Deconstruction in Theatrical Show. Basra: Dar Al-Fatoun and Al-Adab for Printing, Publishing and Distribution.

Salih, Q. H. (1998). Personality Between Endoscopy and Measurement. Baghdad: University of Baghdad - College of Arts.

Schultz, D. (1983). Theories of Personality. Baghdad: Baghdad University Press.

Scot, N. (1985). Samuel Beckett. (M. A. Moneim, Trans.) Cairo: The Arab Institute for Studies and Publishing.

Strandberg. (1970). the play Miss Julia, translated by: Muhammad Tawfiq Mustafa. Kuwait: Ministry of Guidance and Building.

Tharwa, Y. A.-M. (1985). Studies in Contemporary Theatre, 2nd edition. Baghdad: Al-Nahda Library Publications.

Tharwat, Y. A.-M. (1985). Studies in Contemporary Theatre (Vol. 2nd Edition). Baghdad: Al-Nahda Library Publications, Babel Press.

Yujnal, M. (2010). The Political Philosophy of Modernity and Postmodernity. Beirut: Dar Al Tanweer.

Zenati, g. (2013). George, previous source. birut: dar- alkitab aljdid.

Zenati, G. (2013). previous source,.

al- fayrouzi, m. b. (1955). Al-Qamoos al-Muhit. Beirut: Dar al-Kutub al-Alamiyah.

al- ruwaili, m. (1996). Undermining, Journal. Riyadh,: The New Text, Issue (fifth).

Aldaghlawy, H. J. (2013). human rights & directing treatments in the Iraqi theatrical performance. University of Basrah. doi:https://doi.org/10.5281/zenodo.7779863

Aldaghlawy, H. J. (2021). color connotations with costumes in the performances of the school theater. Cambridge scientific journal(7), pp. 239-260. doi:https://doi.org/10.5281/zenodo.7787343

al-Fayrouzahabad. (2005). al-Qamoos al-Muhitp. 653 (Vol. part 1 ). (Beirut: Al-Resala Institution for Printing, Publishing and Distribution,.

al-maysari, A.-W. (2010). Material Philosophy and the Deconstruction of Man. Damascus: Dar Al-Fikr.

Al-Nakhila, H. A. (2012).

Al-Razi, m. b. (1983). Mukhtar Al-Sahah. Kuwait: Dar Al-Risala.

al-ruwaili, al-bazki, m. (2002). The Literary Critic’s Guide, 3rd Edition. Casablanca: The Arab Cultural Center.

Al-Sayyid Jassim, a. (2021). Why Philosophy. Baghdad: Dar Al-Affar Al-Thaqafia Al-Affair.

Awad, G. N. (2017). Postmodernity and the Future of Religious Discourse in the West: An Anthology of Person and Relationship. Al-Rabat: Believers Without Borders for Publishing and Distribution.

Beckett, S. (1993). a play: Waiting for Godot. (P. Shaul, Trans.) Kuwait, National Council for Culture, Arts and Letters, Series from the World Stage, No. 271.

daoud, a. r. (1990). Psychology of Personality. (Baghdad: Ministry of Education and Scientific Research.

dawood,alobeidi, a. (1990). Psychology of Personality. Baghdad: University of Baghdad.

George and Louth. (no). The Theater of Protest and Contradiction. (A. M. Ismail, Trans.) Beirut: The Arab Center for Culture and Science.

Ionesco, E. (1965). Amideh. (D. M. Hassan, Trans.) Cairo, National House for Printing and Publishing.

Kareem, N. S., & Aldaghlawy, H. J. (2022). Pictures of death in the Iraqi theatrical performance. Basrah Arts Journal(22), pp. 187-206. doi:https://doi.org/10.59767/bfj.5300.1976

Matar, A. H. (1989). , Introduction to Aesthetics and Philosophy of Art. Cairo: Dar Gharib for Printing, Publishing and Distribution.

O'Neill, E. (1981). play: The Ghorla, trans. (M. Ismail, Trans.) Kuwait, Ministry of Information.

radi, M. s. (2013). The Principles of Psychology. Amman: Dar Al-Maysara for Publishing and Distribution.

Rushdi, R. (p t). Drama Theory from Aristotle to Now. Sharjah: Sharjah Center for Intellectual Creativity.

Siddiqui, a. (2016). The Problem of Bias in Contemporary Arab Criticism. Amman: Dar Treasures of Knowledge.

Sophocles. (1978). From the Greek Dramatic Literature - Oedipus as King. (T. Hussein, Trans.) Beirut, Dar Al-Ilm for Millions.

Steiner, R. (1998). Nietzsche Struggling Against His Age, translated by: Hassan Saqr. (Damascus: Dar Al-Hassad for Publishing and Distribution.

Talla, S. S. (2023). The implicit in the theatrical texts of Ali Abdul Nabi AL Zaidi (systematic study). Basrah Arts Journal(25), pp. 45-57. doi:https://doi.org/10.59767/bfj.5300.1984

Ziyadah, r. j. (2003). The Echo of Modernity and Postmodernism in its Coming Time. Casablanca: The Arab Cultural Center.

Downloads

Published

2023-11-30

How to Cite

Salah Hamadi Jazaa, & Hussan Abod Ali. (2023). The psychological and social undermining of the personality in the texts of the world stage: The gorilla as a model. Basrah Arts Journal, (27), 53–66. https://doi.org/10.59767/2023.11/27.4

Issue

Section

Articles

Categories