التقويض النفسي والاجتماعي للشخصية في نصوص المسرح العالمي
الغوريلا انموذجاً
DOI:
https://doi.org/10.59767/2023.11/27.4الكلمات المفتاحية:
التقويض، النفسي، الاجتماعي، الشخصية، المسرحالملخص
ارتهن موضوع التقويض بالكثير من الانظمة الفكرية والفلسفية، وتوغل داخل اكثر المفاصل الحياتية الانسانية، كالسياسية والاجتماعية والثقافية والفنية، ليدل على عدم انسجام العالم الانساني وتفكك اجزاءه وتهاوي القيم، وهذا ما جعل من التقويض يأخذ منحنى تمردي يهدم كل ما اعترضه من الافكار القديمة والسائدة، لينتقل هذا المفهوم الى الشخصية الانسانية بصفتها الواقعية والافتراضية، كونها كانت العوبة بيد هذه الممارسات من اجل تمرير افكارها، فأخذت الشخصية تارة تعتلي قمة الهرم وتارة اخرى تهبط نحو الهاوية، بعد ان تم تنزيلها الى مرتبة الحيوان، ولضرورة هذا الموضوع ارتأى الباحث ان يصيغ عنوان بحثه متضمنا دراسة (التقويض النفسي والاجتماعي للشخصية في نصوص المسرح العالي)، لان المسرح العالمي قدم نماذج كثيرة كانت شاهدا على جل هذه الممارسات التي طبقت بحق الشخصية على مر العصور، وما لحق بها من مظاهر الهدم والتشويه والضياع والدمار.
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التنزيلات
منشور
كيفية الاقتباس
الرخصة
الحقوق الفكرية (c) 2023 Salah Hamadi Jazaa, Dr. Hussan Abod Ali (Author)
هذا العمل مرخص بموجب Creative Commons Attribution 4.0 International License.
