Basrah Arts Journal

Instrumentalization operation in Contemporary Visual Art

Mohammad salih Abdullah — 2026-10-13

The current research, entitled "The Functions of Computing in Contemporary Art," comprises four chapters. The first chapter addresses the methodological framework, including the research problem, which seeks to answer the following question: "What are the intellectual roots of the idea of transforming the human being into a means, and how is the body reproduced as a formative medium in new artistic practices? What are the implications of this transformation in a world dominated by consumerism and the commodification of humanity?" It then discusses the importance and necessity of the research, its objective, its limitations, and the definition of terms. The second section addresses the theoretical framework of the research, including the impact of computing on art and its functions in contemporary art, specifically "pure consumption." The researcher then extracts the indicators resulting from this theoretical framework. Chapter Three included the research procedures, analysis, and research sample (comprising two models), as well as the research instrument and methodology used. Section Four presented the results and their discussion.

The role of fine arts curricula in consolidating national identity

Majid Naseib Ahmed — 2026-10-12

Generally this research aims to ground the concept of national identity and uncover the role of art education curricula in enhancing it among students. This is achieved by identifying the manifestations and dimensions of national identity, and analyzing the content of art education curricula in the Sultanate of Oman to reveal the extent to which they incorporate manifestations of Omani national identity, particularly those related to material (tangible) and immaterial (intangible) heritage. Consequently, this contributes to assessing the actual presence of national identity within these curricula and drawing conclusions that can be utilized to develop them, thereby reinforcing their role in consolidating national identity among students.

Chapter I: Methodological Framework of the Research

This chapter addresses the general background of the study, the research problem and its questions, objectives, significance, limitations, and definitions of terms. Furthermore, it clarifies the concept of national identity and its dimensions within the specific scope of the research topic.

Chapter II: Theoretical Framework and Literature Review

This chapter explores the concepts of identity and citizenship along with their manifestations, the role of educational curricula in grounding national identity among students, and the specific role of art education curricula in enhancing national identity. It also illustrates the methods of integrating national identity manifestations into curricula and reviews previous literature and studies relevant to the research topic.

Chapter III: Research Methodology and Procedures

This chapter outlines the research methodology, population, and sample. It details the development of the content analysis instrument, the construction and validation (refereed process) of the analysis scorecard, and the definition of the curricular analysis axes, which focus on the manifestations of national identity through material and immaterial heritage.

Chapter IV: Research Results and Discussion

This chapter presents the findings from the content analysis of the art education curricula regarding the inclusion of national identity manifestations. It analyzes the extent of the presence of material and immaterial heritage elements, as well as their presentation and distribution methods. Finally, it discusses these findings and extracts the final conclusions.

The future of interactive advertising in light of the development of artificial intelligence

Muna Khalid Aawaid — 2026-10-12

Research Summary: The world has witnessed radical transformations in the field of communication and advertising, which has directly impacted the development of advertising technologies, making them more innovative and interactive. Artificial intelligence is considered the most important of these technologies, as it has added a new dimension that has contributed to supporting and developing interactive advertising by providing high design capabilities that enable the recipient to interact and participate effectively in the advertising experience. Therefore, the research addressed the future of interactive advertising in light of the development of artificial intelligence to identify the digital transformations that have contributed to changing the ways of communicating with the target audience of advertising, and the role of smart technologies. The focus was on the interactive advertisements of the company (NIKE) as a research community and it consists of three chapters. The first chapter included the research methodology represented by the research problem, which was presented in the following question: What is the future of interactive advertising in light of the development of artificial intelligence? Its time limits are the period 2022-2024, and the spatial limit is represented by the interactive advertisements of the sports company NIKE that appeared on the company’s website and search and communication sites. The objective of the second chapter, the theoretical framework, focuses on the future of interactive advertising in light of the development of artificial intelligence. It addresses the theoretical topics, concepts, and foundations related to interactive advertising and artificial intelligence technologies, and their role in developing the advertising process. This reinforces the research and contributes to its subject matter. The third chapter presents the research procedures, results, and sources relevant to thresearch topic, in addition to an English abstract.

The Effect of Electronic Mind Map-Based Learning on Increasing the Academic Achievement of Art Education Department Students in the Teaching Methods Course

صبا جواد الفتلاوي — 2026-10-12

This study aims to investigate the effect of electronic mind map-based learning on increasing the academic achievement of Art Education Department students in the "Teaching Methods" course. To achieve this objective, a quasi-experimental approach was adopted, utilizing an equivalent two-group design (experimental and control) with pre- and post-tests. The research sample comprised (22) third-year undergraduate male and female students in the Department of Art Education at the College of Fine Arts, University of Basrah, during the academic year (2025–2026). The participants were divided equally into two equivalent groups: an experimental group of (11) students taught using the electronic mind-mapping strategy, and a control group of (11) students taught using the traditional method. To fulfill the research objectives, a 20-item objective multiple-choice achievement test was constructed. Data were statistically analyzed using SPSS software. The results revealed statistically significant differences at the (0.05) level between the mean scores of the experimental and control groups in the post-achievement test, in favor of the experimental group. This indicates that integrating electronic mind maps significantly enhanced students' academic achievement and facilitated the organization and retrieval of concepts. The study concluded that the electronic mind-mapping strategy constitutes an effective visual learning model that aligns with the cognitive perception of art education students and enhances structured comprehension of the course material. Consequently, the research recommended adopting electronic mind maps in teaching theoretical courses within the college and training academic staff on mind-mapping design software. It also suggested conducting similar studies to examine the effect of this strategy on other variables, such as visual and creative thinking, as well as applying it to various practical and applied courses.

Metal Forming as a Perceptual System: The Role of AI in Lighting Design

Fareda Mohammed Abdulah Alsubaai — 2026-10-12

This study reconceptualizes metal lighting design as an active perceptual system that organizes user experience and guides understanding, rather than merely serving as a formal manipulation of material. It aims to investigate how AI-supported metal forming strategies influence the quality of visual perception across key dimensions, including perceptual clarity, comprehension speed, visual guidance, visual comfort, and overall preference.

A quasi-experimental design-based approach was employed, in which five original design prototypes were developed to represent varying levels of structural organization and perceptual coherence. These prototypes were used as controlled visual stimuli to evaluate user responses. Data were collected from a sample of 42 participants using a structured Likert-scale questionnaire, whose validity and reliability were established. The data were analyzed using descriptive statistics, one-way ANOVA, post-hoc comparisons, and Pearson correlation.The results reveal statistically significant differences across all perceptual dimensions (p ≤ 0.05), with highly structured designs achieving superior levels of perceptual clarity, faster comprehension, and more effective visual guidance. A strong positive correlation was identified between perceptual clarity and overall preference (r = 0.78), indicating that user preference is primarily driven by ease of understanding rather than formal complexity. The findings further suggest that the effectiveness of artificial intelligence in design lies not in generating complex forms, but in its capacity to support the organization of perceptual relationships within the design structure. Accordingly, the study contributes a practical framework that advances perception-driven design and supports the integration of AI as an analytical and guiding tool within contemporary design practice.

Artistic Ecology in Theatrical Performance Discourse: "In the Heart of the Action" as a Case

Doaa Ali Malik — 2026-10-12

This research aims to investigate the manifestations of artistic ecology in theatrical performance discourse, viewing it as an aesthetic and interactive system founded on a network of reciprocal relationships among the actor, the theatrical space, scenographic elements, external effects, and the audience. The research proceeds from the perspective that theatrical performance is a living structure whose meanings are formed through the continuous interaction among its components, such that no element functions independently of the others; rather, each contributes to the production of meaning and the formulation of the aesthetic structure of the performance. In this context, performance discourse transcends the boundaries of traditional expression to reformulate its elements into multiple performative and scenic forms capable of constructing an effective communicative system with the audience and enriching the theatrical experience through the renewed aesthetic and semantic relationships it produces.The research adopted the descriptive-analytical method and consisted of four chapters. The first chapter addressed the research problem, its significance, objectives, and limitations. The research problem was represented by the following question: How is artistic ecology manifested in Iraqi theatrical performance, and what is the role of the interaction among its elements in achieving aesthetic unity? The research was limited to theatrical performances presented on the stage of the National Theatre. The chapter concluded with the identification and operational definition of the principal terms.The second chapter addressed the theoretical framework and comprised two sections. The first examined the intellectual and philosophical foundations of artistic ecology, while the second addressed artistic ecology and its manifestations in theatrical directing schools. The chapter concluded by deriving the indicators of the theoretical framework adopted in the practical aspect.The third chapter was devoted to the research procedures, including the identification of the research population and sample, as well as the research instrument adopted for analyzing the study sample. The research concluded in the fourth chapter with a presentation and discussion of the findings reached by the study, the formulation of conclusions, and the inclusion of the list of sources and references .

Art in Transformation and the Flows of Digitization: Toward a Digital Identity of the Photographic Image

Akila Abd Allawy — 2026-10-12

This article examines the impact of digitization on the transformation of the photographic image and its relationship with contemporary plastic art. Digital technologies are no longer limited to improving the tools of capture and processing; they have also contributed to reshaping the ontological, aesthetic, and semiological dimensions of the image, which has gradually shifted from a documentary practice grounded in referential reality to a visual discourse based on construction, composition, and interpretation. The study adopts a qualitative analytical and semiological approach to investigate how smart cameras, image-processing software, and online publishing platforms have redefined the photographic act. It also explores the emergence of a new visual identity for the digital photographic image, shaped through the interaction of technical and aesthetic dimensions with cultural contexts and modes of reception. The article concludes that the digital photographic image is no longer a transparent visual trace, but a dynamic construction whose aesthetic value lies in its ability to produce meaning within a visual culture saturated with images.

The Influence of Intensive Digital Advertising on Young Consumers Purchasing Behavior

Maysam Razaq Salih — 2026-10-12

This research aims to identify the impact of the abundance of digital advertisements on the purchasing behavior of youth among students of the College of Applied Arts in Baghdad, using the descriptive analytical method. A questionnaire was designed consisting of three main axes: density of exposure to advertisements, negative effects and advertising fatigue, and impulsive response and emotional purchasing. It was applied to a stratified random sample of 100 male and female students from various colleges and specializations. The results of the first axis showed that 68% of students are exposed to a very large number of digital advertisements daily, 58% notice the same advertisement repeatedly across multiple platforms, 64% have difficulty remembering advertised products due to their abundance and crowding, and 62% are forced to wait before viewing the content they are looking for. Regarding the second axis, the results revealed that 72% feel boredom and distress when the same advertisements are repeated more than three times a day, 78% skip digital advertisements immediately upon appearance without looking or listening to them, 64% feel that advertisements "haunt" them everywhere on the internet, which reduces their desire to interact with them, and 50% lose confidence in the quality of the advertised product due to the abundance of advertisements. In the third axis, the results showed that 62% are influenced by time-limited offers (such as discounts for a short period) and make immediate purchase decisions, 52% find it difficult to resist buying products they have dreamed of when seeing an advertisement for them, and 44% sometimes regret purchasing products they saw heavily advertised after discovering that they do not meet their real needs. The results also revealed gaps in advertising literacy among students, as more than half of them cannot distinguish between honest and misleading advertisements.

The Representations of Heritage Architecture in Contemporary Arab Ceramics

Enaam Khalil Ibrahim Al-Zahawi — 2026-10-12

The research aims to reveal the representations of heritage architecture in contemporary Arab ceramics, and how the vocabulary of Arab heritage architecture was employed as a rich source of aesthetic values that express identity, belonging, and authenticity, and which has aesthetic value. From this stemmed the research problem, which is how Arab ceramicists employed the representations of heritage architecture in their ceramic works?

The second chapter, the theoretical framework, consists of four sections: 1- The concept of representations; 2- The vocabulary of Eastern Arab architecture; 3- The vocabulary of traditional architecture in contemporary Arab visual art; and 4- Contemporary Arab ceramics. The researcher arrived at the indicators of the theoretical framework, including: 1- Representations refer to the creation of new images, symbols, and forms inspired by real and authentic images and forms, which are reformulated to resemble or be identical to them. 2- Representation in the visual arts is a cultural and heritage phenomenon in which the artist reconstructs a new subject by invoking its counterparts.

Chapter Three: Research Procedures. Research Methodology: The descriptive-analytical method was adopted to examine the representations of traditional architectural motifs in contemporary Arab ceramics. Research Population: Samples of completed ceramic works from 1988 to 2015 were selected intentionally.

In the fourth chapter, the researcher reached the following conclusions: 1- The forms of architectural motifs appeared in all models, which each Arab potter expressed in different forms using mural techniques and represented in ways and techniques such as pottery sculpture. The architectural motifs were expressed on the body of the pottery using the method of three-dimensional carving on the vessel.

2- Most potters embodied the forms of wooden doors and windows as a traditional architectural element similar to mashrabiyas and shanashil in ceramic works. Therefore, we conclude from the research that most Arab potters were inspired by traditional architectural elements in ceramic works, whether in murals, pottery sculpture, or pottery. The researcher concluded with recommendations and suggestions and with a list of sources and references.

The Potentials of Theatrical Acting Performance in Overcoming Alienation: A Descriptive Study of the Reflections of Alienation in the Performance of the Iraqi Theatre Actor

Humam Aabduljabbar Turki — 2026-10-12

This study examines the potential of theatrical acting performance in overcoming alienation by revealing the dialectical relationship between human existence in reality and the artistic existence of the character in theatrical performance. It proceeds from the premise that alienation constitutes an existential, psychological, and social phenomenon manifested in the individual’s separation from the self and the surrounding environment, accompanied by a loss of meaning, identity, and will. In this context, acting performance emerges as a super structural formation that seeks to construct the relationship between the individual and the self on the one hand, and between the individual and the existential environment on the other. Accordingly, the study consists of four chapters.

Chapter One, the Methodological Framework, addresses the research problem, formulated through the following question: What are the potentials of theatrical acting performance in overcoming alienation, in light of examining the reflections of the dialectic between human existence (the human being in reality) and artistic existence (the character in theatrical performance)? It also addresses the significance, objective, and limitations of the study, as well as the definition of terms.

Chapter Two, the Theoretical Framework, examines in its first section the concept of “Alienation: The Dialectic of the Self and the Other” in light of philosophical propositions and psychological concepts. The second section, “Acting Performance: The Dialectic of Transformation between the Self and the Other,” examines the processes of transformation between these two dimensions. The third section addresses “The Hypothesis of Alienated Performance: The Potentials of Theatrical Acting Performance in Overcoming Alienation.” In the Research Procedures, the study analyzes the research sample, represented by the Iraqi theatrical production Cholera, adopting the descriptive (analytical) methodology.

In Chapter Four, Results and Conclusions, the study reached a number of conclusions, including:

Conclusions:

1- Acting performance reveals the potential to overcome self-alienation by transforming the character’s internal conflict into a tangible performative action, thereby generating awareness of its existential condition, revealing manifestations of its separation from the self, and paving the way for the recovery of its awareness of its essence and identity.

2- Acting performance demonstrates the potential to overcome human alienation from existence by reaffirming the individual’s presence as an active subject and transforming the body and action from manifestations of separation and meaninglessness into means of apprehending existence and engaging with it.

3- Acting performance reveals that overcoming alienation is not limited to restoring the individual’s relationship with the self; rather, it extends to reshaping the individual’s relationship with the world and the conditions of existence, thereby rendering performance an aesthetic space for apprehending reality, questioning it, and seeking to transform it.

Representations of modernity in contemporary Iraq scuIpture

Manal- Sebit Salem — 2026-10-12

This research examines the manifestations of modernity in contemporary Iraqi sculpture. Modernity is characterized by the new and innovative forms in contemporary Iraqi works. It expresses absolute freedom and a contemporary vision through the concept of humanity as a logic that suggests freedom and continuous change, without recourse to or dependence on previous beliefs and traditions. Thus, the principle of modernity has become clear, as it expresses a rational and intellectual human and cultural activity. The artist is liberated from all previous constraints and resorts to reproducing everything new and innovative within themselves. This is what contemporary artistic movements under the banner of modernity expressed by breaking stagnation and striving for the new and innovative.

Through examining the modernist outputs of contemporary Iraqi sculptors, the researcher reveals the most important findings and conclusions. Among these results are:

1-The sculptural works are represented by abstract forms, meaning they transform realistic forms into new and different forms with a degree of technical skill and rationality.

- 2-Modernism emerged to emphasize the aesthetic and intellectual characteristics of self-expressive a

3-Sculptural works exhibited a state of reduction and simplification through abstract forms that lacked clear features, such as elongation. This reveals the artist's style.

The most important conclusions were:

1-Modernism is a multifaceted cultural phenomenon with diverse forms and styles. It drives transformation and change within society, transcending traditional forms and producing new artistic concepts related to various fields.

2-The contemporary Iraqi sculptor sought to achieve a unique style in producing sculptural works with an expressive character, embodying true innovation in artistic creation

Conversational Implicature In the Light of Reception Theories (A Study in the Visual Realm)

Ali AbdulRaheem Ragaa — 2026-10-12

Conversational implicature is presented as a broad conceptual framework that intersects with reception theories, particularly within the visual field. The reading process begins with the visual text as a multilayered, interpretable structure, where meaning is not fixed but produced through interaction. The recipient plays a central role, engaging with the text through the “horizon of expectation,” a cognitive reservoir that shapes interpretation. This interaction generates a form of conversational implicature between the reader and the artwork, emphasizing subjective experience and aligning with Grice’s Cooperative Principle to construct meaning . The research is organized into four chapters. The first outlines the methodological framework, focusing on the central question of how conversational implicature operates within reception theories in visual art, along with the study’s aims, significance, and boundaries. The second chapter develops the theoretical framework, addressing the origins of conversational implicature, its relationship to reception theories, and the role of the recipient. The third chapter presents the research procedures, including methodology, tools, and sample analysis. The fourth chapter discusses the results, conclusions, and recommendations .

The study concludes that integrating conversational implicature with reception theories reveals a dynamic communicative system in contemporary art, where absence functions as meaning, the recipient becomes a co-producer, and the artwork remains open to infinite interpretation. This perspective transforms the artwork from a closed structure into an open text, allowing multiple readings and shifting meaning beyond the artist’s sole authority.

The Semiotic Significance of Encoding in Contemporary Global Painting

Muna Malik Mohammed — 2026-10-12

Contemporary painting transcends mere visual expression, becoming a multidimensional tual messages.

This study employed a descriptive-analytical method to examine a selected set of artworks to identify the aesthetic value conveyed through contemporary works. The research comprised four chapters: the first chapter addressed the research problem, objectives, significance, necessity, and defined the temporal, spatial, and thematic boundaries. The second chapter included three sections: the first discussed the concept of meaning in the critical field, the second examined the notion of the code—its essence and types, and the third explored aesthetic messages in contemporary global painting, including contemporary artworks. The third chapter presented the research procedures and analysis of selected works focusing on meaning, encoding, and their relation to contemporary paintdialogue that conveys aesthetic, intellectual, social, and cultural messages. Artistic codes are shaped by the artist’s environment, heritage, and personal experiences, resulting in diversity in abstraction, simplification, and innovation. These codes carry multiple meanings, which the viewer may interpret differently, reflecting the artist’s emotions and cultural values. From ancient rock paintings to modern abstract works, encoding allows artists to communicate profound ideas while maintaining an interaction between visual beauty and conceping. Finally, the fourth chapter outlined the results, conclusions, and recommendations.

The Ritualistic Performance of Actors in Nashat Mabrak’s Theatrical production (The Ritual of Firewood as a Model_)

JOUMANA RAHEEM ALI — 2026-10-12

Acting performance is a fundamental pillar in shaping the aesthetic and intellectual structure of a theatrical production, particularly when it intersects with the ritualistic dimension-a comprehensive system of actions, movements, and symbols rooted in diverse cultural, social, and religious references, and linked to human customs, traditions, and habitual daily practices. This study comprises four chapters. The first chapter establishes the methodological framework, beginning with the research problem and its rationale; the researcher formulated the central question: How did the ritualistic nature of acting performance manifest in the production Rituals of Firewood (Tuqus al-Hatab) by director Nashat Mubarak, and what artistic and aesthetic mechanisms did the director employ to integrate ritualism into the actors' performance structure? The study also outlines its significance and objectives: to explore the concept of ritualism and its relationship to theatrical acting, to identify the ritualistic characteristics of acting in Nashat Mubarak's productions, and to define key terms-specifically "ritual" and "acting performance." Operationally, the researcher defined "ritual" as the system of kinetic, vocal, and bodily signs employed by the actor within the theatrical performance to generate meanings of a celebratory or ceremonial nature. The second chapter presents the theoretical framework, divided into two sections: the first addresses the concept and origins of ritual, while the second examines the manifestations of ritualism within acting performance. Chapter Three outlines the research procedures; the study sample was selected purposively to align with the research objective, utilizing the play Rituals of Firewood (Tuqus al-Hatab) as a model for analysis. Chapter Four is dedicated to discussing the research findings and conclusions, the most notable of which are:

The study demonstrated that ritualism constitutes a fundamental structural element in Nashat Mubarak's theatrical productions, rather than merely a secondary aesthetic feature.

Rituals of Firewood relied significantly on The results revealed that the acting performance in repetitive movement and bodily and vocal rhythm as key pillars in constructing the ritualistic action. The study concludes with recommendations, suggestions, and a list of sources in both Arabic and English

The technique of performing the clown character in children's theater

عقيل رحيم كريم — 2026-10-12

The clown character has an important and prominent role in dealing with human customs and behavior in a humorous way, as it touches on criticizing political, social and religious aspects, as no previous civilization was devoid of the jokes and sermons of the clown who alleviated people’s sense of daily troubles. He is one of the distinctive elements whose words and actions are not devoid of wisdom and the philosophical side. The multiplicity of the clown character’s masks in children’s theater forced him to adopt a special technique in conveying ideas to the recipient in an educational and instructive manner. The researcher seeks to study and diagnose the technique that the clown possesses and the means by which that technique was reached. The researcher took the Iraqi clown as the subject of his research, which consisted of the first chapter, which contains the research problem, its importance, the research objective, its limits, and the definition of terms. The second chapter is the theoretical framework and consists of two sections. The first section included the clown technique in the theatrical performance, while the second section included the role of the clown in children’s theater. The third chapter (researcher’s procedures) was chosen intentionally. The fourth chapter (Results and conclusions), then a list of sources and references, and appendices .

The artistic embodiment of the Bohemian phenomenon in contemporary sculpture and ceramic sculpture

Abeer Majeed Abdel Nabi Saleh — 2026-10-12

Since the formation of the first human societies, behavioral disorders and psychological pressures have arisen as a reaction to harsh life circumstances at various levels. These issues are reflected in daily human behavior, potentially leading to problems such as a lack of security and peace of mind. Amidst the circumstances and events that have swept the world, burdening societies with multiple crises, various forms of randomness have emerged, affecting individuals according to their spiritual capacities. They are affected by life's pressures, which deplete their energy and ability to adapt, exposing them to stress. This leads to alienation, isolation, and rebellion against social traditions, among other terms that can be generally found under the concept of the "bohemian" phenomenon. This phenomenon, considered one of the social phenomena that falls within the philosophy of human existence, emerged in the mid-18th century and became a characteristic of individuals who tend to adopt eccentric behavior or live an unconventional, free lifestyle, whether this behavior is conscious or spontaneous. The bohemian phenomenon, as a behavioral condition, is one of the topics that has received considerable attention. Recently, researchers in the fields of psychology and sociology have studied bohemianism, like any other phenomenon of human life. Therefore, philosophers and thinkers have been interested in addressing this phenomenon through research, analysis, and investigation. Thus, bohemianism has gained a prominent place in various academic studies. Perhaps the arts were not far removed from delving into such studies, as the contemporary art movement witnessed a great and wide shift through the developments that occurred after the First and Second World Wars. Therefore, the subject of this research, entitled (The Artistic Embodiment of the Bohemian Phenomenon in Contemporary Sculpture and Ceramic Sculpture), was concerned with revealing the psychological pressures that humans suffer from. Researchers addressed bohemianism as a behavior that affects the human self and its unconscious projections. Since art is a mirror reflecting societies and the behavioral phenomena that arise within those societies, the bohemian representation had a clear impact on a number of artworks in sculpture and ceramic sculpture, embodying a state of isolation and alienation, as well as individual freedom and rebellion, through diverse styles and different expressive formulations. As a step to shed light on the concept of bohemianism and its representations in contemporary sculpture and ceramic sculpture, the researchers adopted the analytical method through the description of those artistic sculptures that embody the bohemian features that were chosen as the title of this research due to their particularity as a perceived phenomenon. The research is divided into four chapters. The first chapter includes the methodological framework, encompassing the research problem, its significance, objectives, limitations, and terminology. The second chapter, the theoretical framework, is based on three sections:

- The first section: The concept of bohemianism, focusing on its most prominent characteristics: anxiety, isolation, alienation, individual freedom, and rebellion.

- The second section addresses the trends that have explored the theme of bohemianism in artistic composition.

- The theoretical framework concludes with a discussion of the most important indicators identified by the researchers, intended for use in analyzing the sample.

The third chapter details the research procedures: the research population, the research sample, the research methodology, the selection of the research instrument, and the analysis of the sample.

- The fourth chapter presents and discusses the results, conclusions, recommendations, and suggestions, followed by a list of references.

Employing Historic Jeddah Architectural Motifs in Contemporary Murals to Enhance Saudi Identity

Merfat Mohammed Mahdi Bassi — 2026-10-12

This study aimed to employ the Hejazi architectural ornaments of historic Jeddah in designing contemporary mural paintings that enhanced Saudi heritage identity. The objectives are to identify the characteristics of traditional architecture, analyze the aesthetic values of Hejazi architectural ornaments, examine contemporary mural art, and explore the possibility of employing these ornaments in mural design. The study adopted a descriptive-analytical approach to investigate traditional architecture, architectural ornaments, and contemporary mural art, in addition to an applied approach involving the design and execution of a mural inspired by historic Jeddah. The sample consisted of selected architectural ornaments from heritage buildings in historic Jeddah. The findings revealed that Hejazi architectural ornaments possess rich aesthetic and artistic values suitable for contemporary mural design. The practical application confirmed the possibility of creating a contemporary mural that balanced authenticity and modernity while reinforcing Saudi heritage identity. The study recommended promoting the use of architectural heritage in visual arts, documenting traditional ornaments, and integrating them into art education and design.

Body memory and the transformations of actinq performance in hybrid theater

ADULADHEEM HAMAD MOHAMMED — 2026-10-12

Body memory is described as the performative structure formed from social, cultural, and cognitive accumulations and acquisitions within the actor’s body. In hybrid theatre, these acquisitions are transformed into the organizational force of movement, time, and per formatively produced meaning within space The body, through its memory, is not viewed merely as the executive tool for dialogue or the external appearance of the character; rather, it constitutes the point of departure through its centrality as the living archive of all experiences, acquisitions, training, emotions, and cultural references that the actor seeks to retrieve within the theatrical performance. Subsequently, the actor reconstructs these elements through bodily effectiveness in interaction with the digital technologies encountered, represented by images, sounds, and lighting within changing and multiple spaces.

Based on the foregoing, the researcher divided the study into four chapters, The first chapter addressed the methodological framework, including the research problem represented by “body memory and its transformations in hybrid theatre,” followed by the significance of the research, the need for it, its objectives, boundaries, and the definition of terminology The second chapter, entitled “Theoretical Framework,” included the first section, “Hybrid Theatre,” and the second section, “Digital Technology and the Performance of the Hybrid Theatre Actor” The third chapter included the research sample, research tool, methodology, and the analysis of the theatrical performance The Funeral of the Master Father, The fourth chapter presented the results of the analysis and the most important conclusions, followed by references and the bibliography.