Basrah Arts Journal

مقاربات مفهوم الجمال في قول السيدة زينب (ع) (ما رأيت الا جميل) دراسة تجريبية

ali alasady (Author) — Thu, 27 Mar 2025 00:00:00 +0000

Abstract:

The study included five chapters that began with the introduction, which included : the problem of research and then its importance, and then the researcher formulated three goals to achieve the title of the research and then determined the limits of his study and then defined the beautiful linguistically, idiomatically and procedurally, after that he included the literature of his research through four investigations, and the researcher did not find a previous published research study. As for the researcher's procedures, they are experimental related to the art of painting, as the research community included the same experimental models, numbering five paintings, whose ideas were derived from the approaches to the saying of Sayyida Zeinab (I saw nothing but beautiful) From the results: 1-The beautiful comes from the mental essence of belief, while its aesthetic impact is deduced for Sayyida Zeinab (pbuh) from the past of Al-Hussein (pbuh), his present and the future status of his testimony. 2-The beautiful is an existential necessity as an energy of attraction that Allah has singled out for his creatures, no matter how cruel the existence is. From the conclusions: 1-The research revealed that the beauty Husseini can be expressed in a variety of artistic media. 2-The study showed that the beautiful on two places apparent and essential and deductive judgment of the abundance of knowledge. Keywords: Hussein (pbuh), Sayyida Zeinab (pbuh), Battle of Karbala, Beauty, Experimental Painting Art.

Encounters of Memory Through Traditional Cafés

رفيقة بن رجب (Author) — Thu, 27 Mar 2025 00:00:00 +0000

This research explores the interaction between Arabic language practices and interior design elements in shaping the cultural and experiential dimensions of traditional cafés in Bahrain and neighbouring countries. As café culture thrives, these spaces serve as cultural hubs blending heritage and modernity. The study identifies a significant research gap in understanding how language and design collectively impact café experiences. Using a mixed-methods approach, the study examines iconic Bahraini cafés such as Haji Café and Lumee, analysing the symbolic use of Arabic in menus .and document analyses reveal how these elements create authentic and immersive environments, enhancing cultural connection and customer satisfaction. Findings emphasize the role of Arabic in effective communication and the preservation of cultural identity, while design elements foster comfort and nostalgia. This research offers valuable insights for café owners, designers.

تَمثلات المُبتًذل في الصورة المرئية المُعاصرة

Nasser abd (Author) — Thu, 27 Mar 2025 00:00:00 +0000

Abstract:

Western art has always depicted provocation and ugliness in its various manifestations, from the late Renaissance and the paintings of the Dutch artists Bosch, Bruegel the Elder, and others to Romanticism and the Spanish artist Francisco de Goya's legendary painting (Saturn Devouring His Children), to the paintings of the Impressionists, including the painting of the artist Edouard Manet (Lunch on the Grass), and the obscene works of writers that were prevalent in both Flaubert and Baudelaire, as well as the paintings of the artist Lautrec that depict women in public baths, to Pop Art that depicted vulgarity, seduction, and sex, such as the paintings of Warhol and Lichtenstein, and the comic books of girls and Richard Hamilton that depict nudity and the life of American consumer reality, to the images of the transgender performance show at the Olympic Games in Paris and the imitation of the painting of the artist Da Vinci (The Last Supper) in a provocative manner that sparked a wave of controversy and disapproval, reaching modernity through the applications of artificial intelligence represented in the production of the vulgar in the contemporary image. Keywords: representations, vulgarity, visual image, contemporaneity

انعكاسات المونتاج في النص المسرحي العراقي المعاصر / العرس الوحشي انموذجا

هند محمود محمد العساف (Author) — Thu, 27 Mar 2025 00:00:00 +0000

ملخص البحث /

كانت السينما من الفنون التي تم اختراع آليتها بعد اختراع الكهرباء في الفرن التاسع عشر والتي استطاع القائمون عليها من مخرجين ومنتجين ومنظرين أن يقدموا كل ما يخدم الفكر الإنساني من خلال الأفلام التي اخرجوها بعد ذلك ، وكانت آلية المونتاج من العناصر الفنية في السينما ، ويعد كآلية لتجزئة الفلم من خلال القص واللصق ، وللتشويق والمتعة فخدمت التطور والرقي للفن السينمائي ، وتطورت السينما كنوع ادبي وثقافي وفكري للإنسان ، ويعد المسرح اقدم من السينما بكثير ولكنه استفاد من السينما ووظفت المونتاج للمساهمة في تقديم الصراع بين الشخصيات في النص المسرحي ، فكان لجوئهم الى المونتاج في النص وبالتالي في العرض المسرحي هو مسعى فكري للمؤلف وللمخرج ، إن لكل تجربة من تجارب الفن يأخذ شكلا وأتجاها خاصا تقتضيه طبيعة الشخص الذي يتصدى لتقديم نص أو عرض مسرحي او يقدم فيلما سينمائيا ، ويشكل النص المسرحي احد الوسائل الادبية والفنية في الكشف عن المعاناة الانسانية في ترسيخ المشاركة الحقيقية في الحياة الواقعية والافتراضية ، وهذا ما حاولت الباحثة ان تكشف في بحثها قوة توظيف المونتاج في الادب المسرحي كعنصر من عناصر التحليل والتفسير لعناصر النص المسرحي العراقي المعاصر من خلال الافصاح عنها والتعامل معها ومحاولة ان ترسم المسار الذي تسير عليه الاحداث في النص المسرحي ، والشخصيات التي تسبب هذه الاحداث برمتها، وللتعرف على المونتاج وإنعكاساته في النص المسرحي العراقي المعاصر، وأكتشاف آليات تحليل النص المسرحي ، من خلال السؤال البحثي (هل استطاع المونتاج السينمائي ان يقدم تحليلا وتفسيرا للنص المسرحي حسب وجهة نظر القاريء)

الاشتغالات اللونية في الأفلام الفانتازيا

asia ali (Author) — Thu, 27 Mar 2025 00:00:00 +0000

Scientific and technological advancements have had an impact on lifeand they have also had an impact on the resurgence of cinematic art. Specifically، they have given rise to new perspectives in the field of filmmaking and to the technical advancement of elements of the cinematic language that have been freed from their traditional constraints. One of these innovations is the element of color، which has also been developed in a way that has enhanced the visual image's expressive، psychodramatic، and artistic qualities. The following question captures the essence of the research problem that has been presented: What effects does color have in fantasy movies?? The following elements of the research were incorporated in order to maximize benefit after extrapolating opinions to match the objectives: an introduction outlining the significance، goals، boundaries، and research challenge. The definition of words comes next. The research is significant because it adds to the body of knowledge available to students in the College of Fine Arts' Department of Cinema and Television. Were the research's goals restricted to exposing how color is used in fantasy movies? Two portions made up the theoretical framework. The first dealt with color and its meaning. Following the discussion of color use in the fantasy scenario in the second section، the researcher developed a number of indicators that are the outcome of the theoretical framework. In order to analyze the sample that the film (Warcraft) represented، the research also comprised research processes that included the research methodology، the research community، the research instrument، and the analysis unit. The study came to a number of conclusions، the most significant of which being that color is dominant in the fantasy narrative framework as a fundamental value. It is in line with the colors used to create fantasy character makeup. Conclusions: In the dramatic story structure، color dominated as an aesthetic and expressive value. An English summary and a list of references marked the research's conclusio.

التناص وانعكاساته الجمالية في التصميم الداخلي

منتهى عبد النبي (Author) — Thu, 27 Mar 2025 00:00:00 +0000

Abstract

Some designers and architects have explained that the process ofIntertextuality isLink betweenHeritage elements with a modern twist FIt is a creative process in which the designer relies on his free will to enrich his design achievements. Due to the nature of thisFor spacesFor its focus on the culture of society and its adherence to the popular heritage of Baghdad..To lead usthisTo the title of the research titled "Intertextuality and its aesthetic reflections in interior designThe research consists of four chapters: Chapter One: Addressing the research problem that crystallizedBy wondering,What are the mechanisms of intertextuality that reflect the aesthetics of interior design??The research objective included: ATo reveal the reflection of the beauty of intertextuality through the design vision of interior spaces..The importance of the current research is evident.BecauseHighlights the most important pillars of intertextuality and its aesthetic reflection in design by experts.This is what the objective boundaries of the research were represented in, while the spatial and temporal boundaries were determined.In a study of intertextuality and its aesthetic reflection in restaurants with a heritage character that employed folk heritage vocabulary in their spaces or that added creative values to the vocabulary of space in Baghdad, both sides of Karkh and Rusafa, since 2023 AD.The second chapter represented the theoretical framework that specialized in studying the mechanisms of intertextuality in interior design and architecture, in addition toBeauty strategy in the intertextuality methods of the design product As for the third chapter: The research relied on the descriptive approach in analyzing the research samples (comprehensive survey method) for the entire research community according to the justifications explained by the researcher for the research analysis and its analysis. As for the fourth chapter: It included the results and conclusions that were reached from this research. The fourth chapter also included the theoretical design proposals, recommendations, and a list of sources and appendices