Features of the acting performance of the war correspondent

Abstract

The theater is one of the arts that records documents and events, and it translates social and political issues in the form of theatrical performance As a person adds and develops these experiences, creating his knowledge and scientific experiences in order to advance his present and prepare for the future, documenting the most detailed details with the professionalism of a skilled actor. Theatrical art has developed at the level of aspects, as it is reflected at the artistic levels and artistic elements, where performance is used in direct and indirect performances, which gives it semantic and pantomime dimensions. Performance-acting is not without a symbolic connotation that expresses action through action and is reflected positively in the artistic delivery of the image.There is a need to develop a systematic scientific study to learn about the features of military correspondents' representational performance, and then the importance of research. The goal of the research is: to develop the representational performance of war correspondents and to master the representational performance by developing their performance skills (voice and movement). The second chapter, The theoretical framework, came up with two studies. Intentional and unintentional data in representational performance, as for the second research was entitled Technical elements in the performance of the war correspondent, and the two researchers addressed in the third chapter the procedures related to enumerating the research community and choosing the research sample, while the fourth chapter dealt with discussion of results and then conclusions, recommendations and proposals. One of the most prominent results is that the war correspondent has a conscious representational performance that enabled him to communicate his informational material accurately and easily, and he also dispensed with the director and performed this role by giving observations to the photographer.