The aesthetics of the actor's performance in Anas Abdel Samad's theatrical performances

Abstract

Theatre is considered as the art that most evokes surprise, magic and beauty, and all of these are interpreted by the dramatic show. Its real form is a unity that includes a group of related elements that constitute a group of relations that identifies the reactivity of each element. And the development of the dramatic art; on the artistic and aesthetic levels, are responsible for employing various types of aesthetics in the cymographic space, besides other aesthetic and artistic techniques that add distinctive musical and referential dimensions. So, the aesthetics of the picture carries a reference that promotes the artistic value of the dramatic show. The current study consists of four chapters. The first includes the problem of the study, its importance and the need for it. The problem of the study is identified by answering the following question: How the aesthetic employment of the actor’s performance was achieved in the shows of Anas Abdulsamad? The aim of the study also includes the identification of the aesthetic s of the actor’s performance in the shows of Anas Abdulsamad. The limits of the study were devoted to the dramatic shows of Anas Abdulsamad. Then the chapter wends with identifying the terms and defining them procedurally. The second chapter includes the theoretical frame which itself contains two sections; the first deals with the aesthetics of the dramatic performance, and the second deals with the modernization of the dramatic picture, then it is ended with the indicators. The third chapter contains the procedures of the study, which include the community of the study, and the tool that the researcher uses in analyzing the sample of the study. As for the fourth chapter; it includes the findings, the conclusions and the bibliography .