The color value in the variables of scenes in the dramatic film



  • Abdulnaser mustafa ibrahim College of Fine Arts, Salahaddin University, Erbil, Iraq



value, color, drama, scene, film


The color value in the artwork is an important thing when the artist wants to make his works of value worthy of appreciation, and there are artistic additions that increase the advantages of the artwork in form and subject matter with reference to the material, moral and expressive value of color, it is known during the filming of the film scenes that lighting has a prominent role in displaying dramatic treatments to be believable, as a change in intellectual orientations for artistic distances due to the impact on reality and imaginary, and from the standpoint of these advantages the title of the research was formed the color value in the variables of the scenes In the dramatic film, by asking the question is there a difference in value for the color variables in the scenes in the dramatic film?     From which the film (The hateful eight) was chosen to be the research sample for its prominent color connotations as a feature of the film, and therefore the research aims to shed light on the color value in the dramatic scene of the director's intellectual and aesthetic perceptions in choosing different color tones and the way they put the material and form it in an expressive language, the research followed the descriptive approach to analysis, which is consistent with the type of study by analyzing selected scenes after determining the indicators to be a tool for analysis.   So he went out.


Abdel, H , Shaker. (2009). Imagination from the cave to virtual realit, Kuwait: Dar Al-Maarifa.

Ahmed Mr, A. (1996). Language and Color. Cairo: Cairo University, World of Books.

Ahmed, M, F .. (2015). Aesthetic variables for flashback scenes in television drama. Baghdad.( Journal of the College of Basic Education, Volume-5, Issue-91).

Al-Bashlawi,c. (1993). Dictionary of cinematic terms. Cairo : General Book Authority.

Aldaghlawy, H. J., & Zahra, S. (2022). Flashes in Film Direction. DAR AL FONOON FOR PRINTING & PUBLISHING. doi:

Al-Rubaie, A , J . (2022). Color contrast and its role in showing movement in visual art, Nabu Research and Studies.

Al-Zoghbi, L. (2010). Introduction to Image and Cinema, Syria: Syrian Virtual University Publications.

Aqbi, H .(2010). The aesthetics of colors and their connotations in Pasolini’s cinema, London: Article, Elaph magazine, electronic newspaper.

Caspierre, A . (1989). Cinematic Appreciation. Cairo: translated by: Widad Abdullah, Egyptian General Authority for Printing and Publishing.

Cox & Levy (2018). Cinema and Philosophy. United Kingdom: Hindawi Foundation.

Elite, L.(1972). Intermediate Dictionary. Cairo : Arabic Language Academy.

Engineer, Hussein Helmy. (1989). Screen drama between theory and practice for cinema and television, Cairo, Egyptian General Book Authority.

French New Wave. Baghdad : Al-Academi Magazine, No. 52.

Graham, G . (2023). Introduction to Aesthetics - Philosophy of Art, Cairo: Trans Muhammad Younis, Egyptian Authority for Cultural Palaces.

Ibn Manzur (2003). Lisan Al Arab, Dar Sader, Beirut, Lebanon

Ibrahim & Taha (2009). Semantic employment for constructing the shot - The scene in the

Ismail, H , A , M , (2016). Aesthetic approaches to directing trends in designing theatrical presentation, Iraq : Basra, Dar Al-Funun wa Al-Adab for printing, publishing and distribution.

Janetti, L. (1980). Understanding Cinema, Translate: Jaafar Ali, Baghdad: Al-Rasheed Publishing House.

Martin, M.(1964 (. Cinematic Language, Trans, Cairo: General Institution for Copyright and Publishing.

Mokhtaria, K .(2020). The aesthetics of color in the cinematic image and its impact on the subjectivity of the recipient. Nas Magazine, Volume 07, Number-2. Algeria, Djilali Al-Yabis University, Sidi Bel Abbes, Al .

Mokhtaria, Kh. (2022). University of Jilali El Yabis Sidi Bel Abbes, Algeria,( Journal of the Text, Volume 07 / Issue: 02, 2022, p 21).

Mokhtaria, Khannouch (2020). The aesthetic of color in the cinematic image and its impact on the subjectivity of the recipient, Algeria,( University of Jilali Yabis Sidi Bel Abbes, Al-Noss Magazine, Volume 07, No. 2) .

Muslim, T , A . (2002). The Genius of Image and Place. Amman : Dar Al-Shorouk for Publishing and Distribution.

Muslim, Tahir Abed. (2002). The Genius of Image and Place, Amman, Dar Al-Shorouk for Publishing and Distribution.

Nayli, N & S , M. (2019).The Symbolism of Cinematic Discourse Through the Image, Larbi Ben M’hidi University, Oum El Bouaghi, Al-Rawaq Journal for Social and Human Studies, Journal 5, Issue 1.

Omar, A ,M . (1998). Language and Color. Cairo; Cairo University, World of Books.

Omar, A, M. (2008). Dictionary of the Contemporary Arabic Language. Cairo: World of the Book.

Qalaj, S , A . (1975). Aesthetics of color in cinema. Cairo: Egyptian General Book Authority .

Razi. Muhammad bin Abi Bakr bin Abdul Qadir (2007) Mukhtar Al-Sahih, 2nd Edition, Beirut, Dar Al-Maarifa..

Saliba, J. (1982). Philosophical dictionary. Lebanon: Beirut. Lebanese :Book House.

Youssef, A .(2016). Al-Mustansiriya University:( Journal of the College of Basic Education, Volume 21, Issue 90, p. 613, p. 628, p. 16).




How to Cite

Abdulnaser mustafa ibrahim. (2024). The color value in the variables of scenes in the dramatic film: THE HATEFUL EIGHT MODEL. Basrah Arts Journal, (28), 37–51.